Suspension Ontologies, 2025
There are no stable coordinates. What we call space may be an illusion of continuity; what we call matter, a concentration of vibration; what we call the real, one filter among many. My practice unfolds in this ontological ambiguity—not to define, but to feel. I am interested in the non-human, the extra-terrestrial, not as a subject, but as a condition: what forms emerge when perception is detached from habit? What architectures arise when vision is guided by other logics?
This body of work proposes a speculative archaeology of elsewhere. I begin with fluid, organic drawings—ink and pigment reacting with gravity, humidity, salt, time. These drawings are not representations, but recordings: gestures that operate like messages from unknown sources. Once scanned, they are processed through 3D modeling software, giving rise to imagined geographies—crystalline terrains, hovering structures, fragmented topographies untethered from earthly logic.
Some of these forms are materialized as translucent resin sculptures, floating like fossils of future worlds. Others become immersive environments: large-scale animations that allow viewers to navigate these spaces from within, as if crossing dimensional thresholds. The installation functions as a layered constellation—printed matter, projection, light, and shadow interacting in a suspended choreography. Within these shadows, short video sequences—some generated through artificial intelligence—suggest alternate timelines, speculative memory, or alien signals. Their role is fragmentary, peripheral, like glimpses from the edge of cognition.
My interest is not in designing new worlds, but in disrupting the one we assume. If form is a function of perception, then to reimagine form is to alter reality. In this work, the idea of the multiverse is not a theme, but a methodology: a way to think through multiplicity, simultaneity, and uncertainty. What appears as a city may also be a signal. What we see as terrain may be a diagram of thought. What seems abstract may, in another universe, be entirely familiar.
This is not a search for answers. It is an exercise in attunement—an attempt to listen to forms that do not yet belong to our world, but insist on appearing nonetheless.